Casino Royale is a 2006 spy film, the twenty-first in the Eon Productions James Bond series, and the third screen adaptation of Ian Fleming's 1953 novel of the same name. While Craig's Bond back catalog isn't entirely comprised of hits, the modern 007 era has been defined by critical and commercial prosperity, with Casino Royale and Skyfall among the franchise's best. Like some of his predecessors, Daniel Craig hasn't always been complimentary about his James Bond experience, infamously stating that he'd rather.
Introducing a new 007 in Casino Royale demanded a new kind of action sequence. The solution came with an amazing foot chase through a perilous construction site in Madagascar with Bond pursuing bomb-maker Mollaka up and down scaffolding, including a jaw-dropping jump from the top of a crane.
Screenwriter Neal Purvis explained the origins of the set piece. “We wanted to establish the new Bond is gadget free, raw, slightly crazy, very physical and incredibly brave. We were also aware there had never been a foot chase in a Bond movie before.”
To shoot the sequence, the unit used Nassau as a double for Madagascar. The construction site was created on the site of an old hotel the team had frequented during the making of The Spy Who Loved Me but had now fallen into disrepair. To ensure the hotel looked like it was in a state of construction, the production needed to dress the site with a framework of girders and three cranes. In the aftermath of Hurricane Katrina, all the US and Canadian cranes had been moved to New Orleans so the unit shipped in cranes from the UK. The steel girders were cut to required lengths at Pinewood, shipped to Nassau then erected in just six days.
Following second unit work directed by Alexander Witt during February, the first unit joined them to shoot with Daniel Craig. To make the sequence fresh, the filmmakers tapped into the burgeoning parkour craze. Screenwriters Robert Wade and Neal Purvis had seen Sébastien Foucan demonstrating free running in the 2003 documentary Jump London leading him to be cast as Mollaka. “The way Sébastien does it is like a ballet,” said Witt. “It’s not like running like a stuntman would do, there is a kind of flow in his running and jumping.”
Shooting the scene at 100 feet above the ground, even seasoned action filmmakers felt the jeopardy in capturing the action. “You’re high up in the air, the wind’s whistling through the girders,” recalled stunt co-ordinator Gary Powell. “It is very intimidating to be up that high.” The heart-stopping leap from one crane to another and then onto a roof was achieved in one-shot. Although the jumpers were sporting safety harnesses connected to an even higher crane and a small landing platform was digitally erased from the shot, the leap was performed for real.
For Daniel Craig, shooting the sequence proved to be a daunting but ultimately cathartic experience. “I’m not going to rush up there again in the near future but I definitely put some demons to bed.”
Yes, Daniel Craig makes a superb Bond: Leaner, more taciturn, less sex-obsessed, able to be hurt in body and soul, not giving a damn if his martini is shaken or stirred. That doesn't make him the 'best' Bond, because I've long since given up playing that pointless ranking game; Sean Connery was first to plant the flag, and that's that. But Daniel Craig is bloody damned great as Bond, in a movie that creates a new reality for the character.
007 Casino Royale 1967 Cast
Year after year, attending the new Bond was like observing a ritual. There was the opening stunt sequence that served little purpose, except to lead into the titles; the title song; Miss Moneypenny; M with an assignment of great urgency to the Crown; Q with some new gadgets; an archvillain; a series of babes, some treacherous, some doomed, all frequently in stages of undress; the villain's master-plan; Bond's certain death, and a lot of chases. It could be terrific, it could be routine, but you always knew about where you were in the formula.
With 'Casino Royale,' we get to the obligatory concluding lovey-dovey on the tropical sands, and then the movie pulls a screeching U-turn and starts up again with the most sensational scene I have ever seen set in Venice, or most other places. It's a movie that keeps on giving.
James Bond 007 Casino Royale 1967 Cast
This time, no Moneypenny, no Q and Judi Dench is unleashed as M, given a larger role, and allowed to seem hard-eyed and disapproving to the reckless Bond. This time, no dream of world domination, but just a bleeding-eyed rat who channels money to terrorists. This time a poker game that is interrupted by the weirdest trip to the parking lot I've ever seen. This time, no laser beam inching up on Bond's netherlands, but a nasty knotted rope actually whacking his hopes of heirs.
And this time, no Monte Carlo, but Montenegro, a fictional casino resort, where Bond checks into the 'Hotel Splendid,' which is in fact, yes, the very same Grand Hotel Pupp in Karlovy Vary where Queen Latifah had her culinary vacation in 'Last Holiday.' That gives me another opportunity to display my expertise on the Czech Republic by informing you that 'Pupp' is pronounced 'poop,' so no wonder it's the Splendid.
Casino Royale Trailer
I never thought I would see a Bond movie where I cared, actually cared, about the people. But I care about Bond, and about Vesper Lynd (Eva Green), even though I know that (here it comes) a Martini Vesper is shaken, not stirred. Vesper Lynd, however, is definitely stirring, as she was in Bertolucci's wonderful 'The Dreamers.' Sometimes shaken, too. Vesper and James have a shower scene that answers, at last, why nobody in a Bond movie ever seems to have any real emotions.